Cotton Marcus (Patrick Fabian) and Nell Sweetzer (Ashley Bell) in The Last Exorcism (Photo credit: Patti Perret)
Takers debuted with $20.5 million to grab to grab a narrow win over The Last Exorcism, which opened in second-place with $20.4 million, according to final studio numbers Monday.
Based on studio estimates a day earlier, The Last Exorcism had a thin lead over Takers. But the movies switched places once final weekend numbers were released.
After two weekends in the No. 1 spot, Lionsgate's action romp The Expendables slipped to third place with $9.5 million, raising its total to $82 million.
Playing in narrower release, a 3-D special edition of Avatar pulled in $4 million, lifting the sci-fi sensation's domestic total to $753.8 million. The new version of the 20th Century Fox blockbuster adds nine minutes of footage.Both Exorcism and Takers debuted well above studio expectations, though the openings were modest compared with most big summer debuts.
Overall revenues came in at $115 million, down 8 percent compared with the same weekend last year, when the horror tale The Final Destination opened on top with $27.4 million, according to box-office tracker Hollywood.com.
"We've had two weeks of films being all stacked up very closely to one another, and that's a really tight margin between these two," said Paul Dergarabedian, box-office analyst for Hollywood.com. "But it's sort of a battle in a marketplace that really isn't setting the world on fire."
With summer blockbuster season generally over, late August often is a solid time to release scary movies such as The Final Destination and Halloween II, which opened over the same weekend last year.
"You don't see many low-budget genre films released in June or July or even early August," said David Spitz, head of distribution for Lionsgate. "You don't want to put The Last Exorcism up against Inception or these big blockbuster films."
Exorcism, about an exorcist trying to cast out a demon from a teenager, cost just $2 million to produce, and Lionsgate bought domestic distribution rights for less than $1 million.
Takers, which cost a modest $32 million to make, features Matt Dillon, Hayden Christensen, Paul Walker and Idris Elba in a thriller about bank robbers pursued by a tough cop.
Rory Bruer, Sony head of distribution, said he expected Takers to remain in second place, slightly behind Exorcism, once final figures are released. Yet the two movies were pacing Hollywood to a strong finish to the summer season, he said.
"I do think both pictures were pretty terrific for ending summer with," Bruer said. "To have two pictures at $20-plus million at the end of August is a good thing."
The extended version of James Cameron's Avatar played in just 812 theaters, compared with 2,874 for Exorcism and 2,206 for Takers.
Besides $4 million domestically, the Avatar special edition added $4.3 million overseas. The extra revenue is mere icing for the biggest modern blockbuster, whose initial release took in $2.7 billion worldwide.
"There is no unhappy attached to Avatar, because it's the greatest. It's always done business. It's the biggest picture in history," said Fox distribution executive Bert Livingston. "People bought tickets everywhere this weekend. There's no bad."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to Hollywood.com.
North American Top Ten
1. The Last Exorcism, $21.3 million.
2. Takers, $21 million.
3. The Expendables, $9.5 million.
4. Eat Pray Love, $7 million.
5. The Other Guys, $6.6 million.
6. Vampires Suck, $5.3 million.
7. Inception, $5.1 million.
8. Nanny McPhee Returns, $4.74 million
9. The Switch, $4.7 million.
10. Piranha 3D, $4.3 million.
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